. . . - - we ' re coming into it NOW & HOW & TAO ; ; and everyone SEES how TAO turned out to be symbolically XACTLY LIKE ITS INHERENT MEANING , , and eye can see that this is sow . . . - - the first symbol ' T ' , , is all about right angles and square corners & shapes , , the second symbol ' A ' is all about equilateral angles and tri _ angular corners & shapes , , and the third symbol , , [ making up the three phases fore ' all creation itself , , [ because ' first there is one , , then from one comes two , , then one and two make three , , and everything else comes from that ' ] , , ' O ' is the torus , , AND WII KNOW THAT ALL CREATION COMES F – OR _ M X F _ RO – M THAT . . . - - and it goes from hear , , and this is WHY there has always been / bin a very thin line between possibility & certainty , , between imagination and established fact , , this is why the paradigm structure / belief structure has always been so jealously guarded , , and masked , , to the point of attempting to always cloud and disguise the boundary / breaking point where the obsessively pushed and dogmatically maintained notions for e ' object permanence , , entropy , , waste and dying , , necessary violence & greed , , always fell apart in illogical and irrational disarray . . .
. . . - - every tyme , , when you look at these ideas , , they never make complete sense , , they never account fore ' ' all of the empirical data , , and they are always beset bye exceptions and outlying data points , ,which themselves consistently indicate at least the POSSIBILITY & QUITE POSSIBLY THE CERTAINTY FOR E' AN ETERNAL / CYCLICAL LOVING AND PROVIDING UNIVERSE , , WHICH IS NOT BASED ON decay – domination _ destruction – & deceit , , and which exists freely off of the complete exchange fore ' expressive desirable realization . . . – this is why now ; ; JAH _ THE -- E _ TERNAL – MOMENT _ TAO , , is now forever always TAO ; ; impeccably & optimally in every moment , , fore ' ' every one and every thing , , fore ' every hope & every dream , , and now reaching fore ' justice and the TRUTH , , thru every paradigm , , spun fore ' sooth . . .
. . . - - won two english there then fore ' thee , , and ' quester ' gestions ' bout UG spree . . . - - and letz look at hour surface structure object language of english , , and discuss a few of the generalized parameters fore ' this particular native language topically in focus , , and pragmatically meta state that seams like a garden path event _ U _ ALL but mean - ING - ful bount _ TEE ' vation scrawl , , y ' all , , tells us that wii want to look at the general principle fore event closure , , and this is what eye ' m warming up _ on to NOW . . . - - wii are going to look at english [ and all other native languages in association ] , , in a paradigmatic middle level CAUSALITY FRAME , , in terms of monotonic event creating relations between phrase / phase bounded units of information . . . - - and previous to this same exact disclaimer , , ii laid out an extremely complex event field structure , , just to give a meta reflective taste towards how english goes about doing its causality event closure & generation syntax _ semantix dance extravaganza fore ' ALL . . .
. . . - - what wii want to look at here and now quite simply , , is how wii are able to take a string of lexical items and then generate from them a complete event interpretation . . . - - and to this end wii already know that wii have sum kind of initial setting , , there , , is sum kind of actual development , , and then there a final overall cadence or assessment of the completion status fore ' ' the event occurrence itself . . . - - in addition , , wii can now also make the statement that every event stars out with a setting as a possible event theater , , which then has a main subject which is involved in the ACT OF REALIZING THE POTENTIAL MEANING THROUGH THE CONVERSION OF POTENTIAL POSSIBILITY TO EVENT ACTUAL CERTAINTY . . . - - that ' s it , , folded conceptual possibility first as certain possibility , , then event realization , , as an active conceptual conversion from possibility to certainty itself . . .
. . . - - THIS IS THE FORMULA FORE ' all event AND SENTENCE STRUCTURING , , AT EVERY LEVEL , , IN EVERY LANGUAGE , , AND IN EVERY BODY , , across every modality , , in every dimension . . . - - THIS PERSPECTIVE WHICH HAS NEVER BEEN USED IN THIS WAYE , , IS THE ONLY VALID AND TRUE PARADIGM _ REALITY fore ' all native languages , , fore ' all being activity , , fore ' all cognitive and psychological functioning , , and fore ' all creational animate & inanimate expression / desire & design . . . there IS NO OTHER PARADIGM WHICH WILL EVER PROTRAY OR CONDUCT THE ABSOLTE TRUE & REAL NATURE FORE ALL OF CREATION IN ANY LANGUAGE OR MODE FORE ' EXISTENCE OR EXPRESSION , , THERE NEVER WAS , , AND THERE WILL NEVER BEE . . .
. . . - - TAO ; ; the story gets really interesting hear , , because wii are now looking fore ' sum very basic indications from hour object language source , ,and these indications are what lead directly to the construction fore an initial back ground / setting in conceptual possibility mould , , the introduction fore ' the main act _ or _ ress [ THANG ] , , and then the realization plot which converts possibility to certainty , , and which leads to the climax fore ' the event completion , , which is itself conceptually closes off on in the event , , or meta folded post event coda occurrence . . . - - and to this end wii want to see how english accomplishes these expressions through the possible relations between phrase information units in sum sort of sequence or manifest produced chain . . . - - so wii are now looking at a bounded group of phrases , , and there is this linear presentation sequence , , where bye meaning is derived from the decoding for e ' this information strip , , as it is processed in reel information processing expended locational waye , , AS A TWO DIMENSIONAL FEED FORE INFORMATION BITS . . .
. . . - - therefore ; ; we ' re scoping on a two dimensional strip / feed fore ' sum string of lexically generated symbol information bits , , of either a visual , , or aural , , or tactile nature , , and that string / line / vector is received / processed in a reel tyem ' two dimensional processing waye , , ware the two dimensional notion refers to conventional ' point ' / ' line ' conceptual spatial construction , , or WHERE / WHEN existential allowance , , and we ' re just catching this information stream , , and processing it / converting it , , into an eventual realizable scene . . . - - thus & hence ; ; the active conversion of coded information information , , in sum real tyme processing space , , is that already known and defined process of SYNTAX , , and the derivable meaning form a structurally created potentially realizable scene , , is that already known and defined process of SEMANTIX . . . - - this is the real and absolute true definitions fore ' these processes and now leads us on to a discussion about how badly these processes have been misunderstood and confused , , all due to the simple fact that , , there was no clear cut approach towards teasing apart of all the convoluted and folded manners in which these two processes exchange and fortify themselves . . .
. . . - - and the key here is to look at the cusp or dividing line or meta ratio realization point fore ' these two processes , , as they are operating in parallel to produce the desired realized and constructed eventual scene , , and see that there is a pure meta relation based on the amount of ' realizable obligation ' that each sub process has , , in order to bring forth the required level of realized meta eventual potential , , so that THE EVENT CAN BE REALIZED IN A REAL META STRUCTURAL SENSE AND RESPECT . . . - - in this fashion , , the outer level of UG information processing has almost no semantix , , and almost all syntax , , because it is conversion and active meta structural processing oriented , , the main gist fore ' outer level meta function and structural existence itself , , is fore ' the expressed meta purpose for e' LINKING THE DESIRED ENFOLDED EVENTUAL MEANING CONTENT , , WITH THE OUTER SCRIBED CASEMENT SHELL , , AND LINKING CONNECTING BOTH OF THOSE VECTOR LAYERS , , TO & WITH THAT FORE ' THE INANIMATE OSCILLATING FREQUENCY VECTOR , , WHICH WILL BE THAT MODE FORE ' PHYSICAL SPATIAL TRANSFER & INFORMATIONAL TRANSMISSION . . .
. . . - - to this end , , there is very little UG processing done with regards to actual conceptual abstract meaning content , , or conceptual eventual scene creation , , the creative weight and power here , , is in the absolute syntactical procedure fore ' linking middle level converted THREE DIMENSIONAL SCENIC INFORMATION STRUCTURES WITH TWO DIMENSIONAL TRANSFERABLE INFORMATION STRUCTURES , , IN DIFFERENT PROCESSING WAYES AND MEANS . . . - - and this is further as opposed to the inner level fore ' thematic development and description , , where there is already a complete defined and created event structure , , and there is only then required , , the pure semantical interpretation fore ' the fine proportional property value relations which exist within any given event phrase category . . . - - sowowowowowowowowo ; ; this then leaves the middle level in THE UG information processing TRI – TIER , , and syntax _ semantix bi _ dimensional conversion gradient extravaganza , , where all of the nuances and convolutions required in this stereotypic enrapture - meant get very confusing , , and led to incorrect analysis regarding what was the process , , and what was processed bye that process , , meta processing information ally processing meta procedurally so don ' t U know . . . - - but it is interesting to alos note that there is still and always this meta thematic eventual scene development , , WHETHER IT IS IN THE SERVICE OF CONCEPTUAL CONTENT , , or the activity of transferring that content , , or in the reading and decoding of already vector encased potential scene realize itself . . . - - ON ANY LEVEL OR PARADIGM OR TOPIC SPACE OR STAGE , , IT IS AN EVENT , , AND IT UNFOLDS AND IS REALIZED THE EXACT SAME WAYE EVERY SCENE , , AND EVERY PLAY . . .
. . . - - and thru & thru , , and U know WHAT 2 expect the next tyem wii tease A _ part the poetic lyne , , fore ' UG information sort , , and gather joy from such A _ sport . . .
. . . - - eye dew , , and TAO U DUE 2 . . .
. . . - - till next tyme ; ;
forever always TAO ; ; isaiah parable