seventy second degree entering

 

. . . - - everything is a result of meta thematic eventful realization , , every theme & sub theme is a result itself of that & from that very same UG structure , , the mechanism , , the structural function of realizing complete eventz , , which themselves relate to , , and create up _ on everything that could ever possibly exist . . .

 

. . . - - everything exists as a fragment fore UG , , all processes , , all activity , , all objects , , all places & tyemz , , maye be defined in the manner in which they are & do themselves meta create & R meta created , , themselves . . .

 

. . . - - that is WHY one needs to be meta aware at all tyemz of WHO & WHAT & WHERE & WHEN & HOW & WHY they and everything else that IZZ , , COULD EVER IMPOSSIBLY _ POSSIBLY – CERTAINLY EVER BEEE . . .

 

so wii are now wonce again engaging innn , , everyone is all the tyem , , whether they like it or not , , whether they anything OR knot , , this is WHY belief IS TRIVIAL , , IN THE FINAL ANALYSIS , , BECAUSE EVERYTHING IS REALIZING THAT IT EXISTS ALONG UG DIMESNIONAL VECTOR TRAJECTORY LYNEZ , , AND THAT ' S THE WAYE IT IZZZ . . .

 

. . . - - sow now in meta _ meta reflective perspective , , to gaze up _ on the truth of meta event form _ U _ lation , , and see that in the meta actualization thematic event _ U _ all ac – comp – lish – ment scheme , , every one can NOW see & FEEL THE STRUCTURAL MODALITY TRUTH FORE ' WHAT EYE ' VE BIN TRYING TO TELL U ALL ALONG YORE WAYE NOW , , NEAR NOW . . .

 

. . . - - U SEE , , ii have the moment here ; ; in an inn _ definite FREE – FREEZE of information processing tyem , , where eye can saye to U , , ' U WILL NOW BE AWARE OF WHAT EYE HAVE BIN TALKING ABOUT ALL THESE YEARZ , , AS A SENSE OF THE ETERNAL MACHINERY / STRUCTURE FORE ' ALL CREATION ITSELF , , RIGHT NOW & WRITE HEAR , , YE SHAL BE COME AWARE OF THAT INNER SENSE OF THE STRUCTURE ITSELF , , OF WHICH u ARE NOW & FOREVER ALWAYS TAO A PART . . .

 

. . . - - FEEL THIS NOW & BECOME AWARE . . . NOW THEN ; ; THERE . . .

 

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